Built from a complex arrangement of overlapping geometric forms, the composition evokes the architecture of Jerusalem without depicting it directly. Fragments of walls, passages, windows, and stone surfaces seem to emerge and dissolve within layers of color and texture. The city appears not as a fixed place but as a living organism shaped by history, faith, and continual renewal.

The painting's vibrant palette contributes significantly to its emotional character. Brilliant passages of golden yellow interact with deep crimson, rich red, cool turquoise, luminous whites, and areas of soft blue. These colors create a visual dialogue between warmth and coolness, earth and sky, permanence and movement. The effect recalls the changing appearance of Jerusalem itself, where ancient stone reflects different moods and colors throughout the day.

Basteker's expressive use of line, layering, and transparency creates a sense of motion across the surface. Energetic marks weave through the composition like traces of voices, prayers, and memories accumulated over centuries. Drips, scratches, and gestural passages suggest histories that cannot be fully seen yet remain embedded within the city's physical fabric.

The title reflects the artist's belief that Jerusalem's stones bear witness to countless generations. They have observed pilgrims ascending to the city, worshippers gathered in prayer, moments of joy and sorrow, destruction and rebuilding. In this work, the stones seem to speak not through words but through color, rhythm, and atmosphere, revealing the invisible layers of experience that define sacred places.

Although entirely abstract, the painting remains deeply connected to Jerusalem. The structured geometry recalls the city's architecture, while the vibrant interplay of colors conveys both its physical beauty and spiritual vitality. Basteker transforms stone into memory and architecture into emotion, allowing viewers to experience the city through sensation rather than description.

Rich in energy, color, and symbolic resonance, Stones that Speak II demonstrates the artist's ability to unite abstraction and spirituality. Through luminous color and layered composition, Basteker invites viewers to encounter Jerusalem not simply as a place, but as a living repository of memory, faith, and human longing.