Chani Cohen Zada

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Chani Cohen ZadaAnemones, 2022

Chani Cohen Zada, Anemones

oil on canvas
100 × 120 cm
39 × 47 in

About the Artwork

Anemones celebrates one of the most beloved sights of the Israeli landscape: brilliant wildflowers emerging among ancient stones and rugged terrain. Rising above a weathered stone wall, the vibrant blossoms create a striking contrast against the subdued tones of the surrounding vegetation. Through this simple yet powerful encounter between flower and stone, Chani Cohen Zada captures the resilience, beauty, and quiet renewal that characterize the natural world.

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Each winter and spring, fields and hillsides throughout Israel are transformed by the appearance of wild anemones, whose vivid blossoms seem to announce the renewal of life after the dormant months of the year. Their arrival has become deeply woven into the visual memory of the land, symbolizing both continuity and hope.

In this painting, Cohen Zada places the flowers atop a sturdy stone wall, creating a dialogue between permanence and transience. The stones suggest endurance, history, and the generations that have shaped the landscape, while the flowers represent renewal, vitality, and the recurring cycles of nature. Together they embody the delicate balance between what endures and what is constantly reborn.

The composition reflects the artist's commitment to close observation. Rather than idealizing the scene, she carefully records the textures of stone, foliage, and blossom, allowing the viewer to appreciate the unique character of each element. The beauty of the work emerges not from dramatic effects but from attentive looking and a deep respect for the world as it is.

Anemones ultimately invites reflection on resilience and renewal. Even among rugged stones and untamed growth, beauty finds a way to flourish. The painting reminds us that life continually renews itself, bringing moments of color, joy, and hope to even the most familiar landscapes.

About the Artist — Chani Cohen Zada

One of the main obstacles that a novice painter encounters when he comes to paint from observation is a conceptual conflict. This is because everything is actually made up of two things: meaning, and substance. The mind, refers to the word through its meaning for us, and not through its materiality. And therefore the painter gives an iconic interpretation of what he sees, which is not compatible with reality. It takes a lot of hours of training to teach the brain to separate these two things and pass on to the painter the relevant information for the painting, which is the material interpretation only

₪ 49,000

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